'Aniy'el

'Aniy'el belongs to the Powers and accompanies the period from 24 to 29 September. The motto «I become real when people look at me» centres on the relationship between your expressive strength and the attention of others.

You can sense what an audience wants. You notice the desire for someone who can entertain, lead, represent an ideal or give shape to a shared ambition. You can adapt your words, image and behaviour very quickly. When you find people to engage with, even a large audience, your vitality can sustain demanding undertakings.

Your main flaw is self-centredness, closely tied to a strong dependence on attention. This goes beyond wanting to be liked: you may feel that you matter less when no one is watching. You then work harder to make an impression, search for new ideas and dread the moment when you can no longer surprise people. Indifference can trouble you more than criticism, because even opposition keeps your relationship with the audience alive.

Beneath a very confident presence, there may be little love for yourself, guilt, feelings of inferiority or a sense of being a victim. You may neglect basic needs while devoting all your energy to the effect you have on others. This willingness to work hard does not remove your need for food, rest and care. A satisfied audience can give you a purpose, but cannot replace everything you need.

Silvio Berlusconi offers an example of building a public presence that can read and stir collective desires. Brigitte Bardot evokes a close connection with the image an era longs for. Martin Heidegger brings in the morally troubling side of following the prevailing mood, in his case Nazism: understanding what wins support does not make it right or free you from responsibility for your choices.

You may be more original than you allow yourself to show. For fear of losing your audience, you risk setting aside an insight people are not ready to recognise. Immediate approval then becomes too narrow a filter. You can learn to choose your timing, language and audience without erasing what you have to say. An idea is not wrong simply because it requires patience.

Through Don Quixote, Miguel de Cervantes brings in the theme of ideals that no longer belong to their time. Agustin de Iturbide and Guadalupe Victoria, through the contrast between empire and republic in Mexico, evoke the weight of interpreting a collective direction. Understanding your surroundings helps you choose how to act and distinguish a personal conviction from the image you hope others will approve of.

Christopher Reeve represents a public presence that continues to communicate and engage others after a severe disability. Attention and support can have real human value; they are neither a cure nor a promise of recovery. The point of this portrait is the ability to turn a personal experience into something that reaches other people while preserving its dignity and complexity.

Perfectionism may drive you to monitor yourself and the people who work with you relentlessly. Anxiety about maintaining your position reduces the pleasure of achievement and can impoverish your private life. If you give all your attention to your audience, the people close to you risk receiving only the exhaustion that remains.

Your direction is to give shape to shared needs without losing touch with your own. You can be an excellent communicator, artist or source of guidance while keeping boundaries, responsibilities and relationships in which you do not have to perform. Accepting a less visible phase allows you to work on things that do not win immediate applause.